For trumpet players, I have created the quick guide to understand and perform it better.
MUSE HAUT MUS2 BAS HOW TO
This research introduces composer Jong-Uek Woo and explains Korean traditional music materials and how to practice and perform this work. After observing non- Korean trumpet players play this piece a few years ago at the Jeju International Brass-Percussion Competition in Korea, I was motivated to create this quick guide for non-Korean players. This research project is a “quick guide” for the Trumpet Concerto composed by Korean composer Jong-Uek Woo.This Trumpet Concerto is influenced by Korean traditional music and uses traditional elements such as Korean rhythmic patterns, traditional instrument sounds, and singing styles. Summary of the results of the research and an explanation of the chosen format of presentation:
![muse haut mus2 bas muse haut mus2 bas](https://i.ytimg.com/vi/CM3bx-nNQDo/maxresdefault.jpg)
Is it possible to present a guide for trumpeters to help us perform and interpret this concerto in a better and more authentic way?Ħ. Research question How can I help my fellow trumpet players and myself understand this music better?
![muse haut mus2 bas muse haut mus2 bas](http://img.over-blog.com/500x333/5/60/70/10/musee-haut-musee-bas-19-11-2008-15-g.jpg)
Title of research A Quick Guide for Concerto for Trumpet by Jong-Uek Wooĥ. Name of research supervisor(s) Timothy DowlingĤ. This research will provide and explore the approaches that are necessary for starting ensembles in order to enter and to promote themselves in the music industry. The importance of good and well thought-of programs and repertoire, collaborations with composers, guidelines how to introduce your group to programmers of venues and the cleverest ways to use social networks are subjects that will be treated in this research. The outcome of these experiments will show that there are good and bad ways to promote your ensemble. We have been executing some experiments with my new percussion trio “XTRO”.
MUSE HAUT MUS2 BAS PROFESSIONAL
This research investigates the possibilities we have, as a new ensemble, to enter into the professional music world. Practice is important but we should not forget that nowadays contemporary/modern music has to struggle to get new audiences. As a student I think it is caused by too much focus on developing instrumental skills, as for a future career, there are more skills a student should develop. I can't wait to research and see more from this director.Many students, including me, have problems to change from their student-life to the professionallife. The viewing audience at Boston's Museum of Fine Arts had a blast as well. I bet the director is a very likable guy, and that everyone had a blast making this film. There seem to be included in the cast at least 25 of France's most famous actors and comedians(including two Almadovar regulars.) I can only guess that they were all willing to contribute their (mostly) bit parts because the concept and set were such fun. While unrelated in subject matter, I think this film will appeal to many of those who love Almadovar. when the car-seeker finally finds the parking area he recognizes, it is called Velasquez, and when he jubilantly comes upon the sign/poster portrait of Velasquez, one sees in the background two diminutive figures from Velasquez's famous painting of the Spanish Infanta. (Thus the French film title, "Museum High,Museum Low" ) though the American title, "A Day at the Museum" well chosen as well.Throughout it are sprinkled very specific in-jokes that will give added giggles to art historians. The film makes fun of and with - virtually every type of museum goer, employee, and artist : uncultured 'hicks',faux-sophisticated art patrons,nationalistic art goers,fatuous conceptual artists,neglected artists, snobby curators, obsessive-compulsive curators, Earth Mother curators, vacuous politicians, exploited Third world artists, overtaxed guards, overly dramatic guides, and all manner of self-important types. When I noticed with bafflement that the IMDb average rating was 5, I then saw that the majority of low rating voters- were young men, and my guess is that they and other low-rating voters are not in the specific audience above. I must mention that I believe this film will be understood and applauded by a very specific audience- that of museum goers with an understanding of art history. But then I am dead center of the target audience. What a joy from hysterical beginning to hysterical end! In a long life of films, this is actually the only film I think I have ever seen twice in one week.
![muse haut mus2 bas muse haut mus2 bas](http://marcelinne.com/images5/0417L/coiffure-avec-pince--chignon/coiffure-avec-pince-chignon-66_10.jpg)
![muse haut mus2 bas muse haut mus2 bas](https://i.pinimg.com/736x/5b/22/73/5b227377ec3def4b9933ea54e16b46cd--muse-collage.jpg)
A French film has not had me laughing this much in a long time.